Electric Deckchair |
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CD - ANKSTMUSIK (ANKSTMUSIK CD115) - Nov 2005 |
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2 CD set featuring 10 new tunes:
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The press release says: Ectogram give free reign to their psychedelic sensibilites to visualize
an instinctively adventurous rock music that has evolved into the present
century unencumbered by nostalgic reverence. At the same time, they never
lose sight of the primal physicality and inquisitive thirst that made
this genre so alluring in the first place. They stretch the limits of
their minimal instrumentation: Ann Matthews on vocals & guitar, Alan Holmes
on guitar and Maeyc Hewitt on drums, never falling back on mere generic
stylings but at times evoking a sonic palette more reminiscent of an arms
testing facility than a rock'n'roll trio. Drummer Maeyc stylistically
fuses heroes Karl Bartos and Elvin Jones to catapult the listener recklessly
through the sonic substructures linking the chromadelic splatter paintings
of Ann's vorticist 12-string architectures to the shimmeringly abrasive
aural iron filings dragged hither and thither across the soundfield by
Alan's neo-fragmentist magnetic 6-string. Just when it's all on the brink
of disintegration, Ann brings it back into crystalline focus with probably
the only voice in rock history to have drawn comparisons with both Dagmar
Krause and Clare Grogan. The trio's fourth album "Electric Deckchair"
is the fruit of recent sessions in Bryn Derwen studio with sound wizard
Michael Auld at the controls. Several hours of live performances by the
group were captured, of both improvisations and compositions, with the
only subsequent overdubs being vocals. This has resulted in an album which
comes closer to the elusive live Ectogram experience than any previous
release. After whittling the results down to a manageable 80+ minutes,
the group opted to compile two separate discs of standard LP length, each
sequenced to stand as a complete album in its own right. The resulting
2 CD set makes for a much more focussed listening experience than the
exhausting 80 minute marathons that have become the norm in the digital
age, whilst still delivering a full quota of post-tonal sonic thrills.
Both discs flit effortlessly between concise 2-3 minute songs and extended
20 minute odysseys in a manner that suggests the group have never been
fully familiarised with market targeting. |
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